我在創(chuàng)作中很注重作品的互動性，在設計每一件作品時我都會考慮佩戴過程是否能成為作品的一部分。 在作品《玩具小飛機的幻想》中，我根據小朋友玩飛機玩具的動作以及飛機飛行的形態(tài)設計機械結構對廢棄的玩具進行改造，并加入了一些天空和云朵元素展現童話般的場景。當首飾被佩戴時，佩戴者可以像孩童玩玩具一樣與我的作品互動。這一過程中，這些玩具小飛機將會被重新賦予生命。

在《再造礦石》的主題來源于我的個人收集礦石晶體的愛好。我將生活中隨手可得的工業(yè)品作為材料重塑成礦石的樣子。通過對天然礦石的觀察，用不同材料模擬礦石中不同的晶體結構，并通過對材料的塑形和組合構建體塊感，盡可能讓人無法辨識作品的原始材料。從而呼吁人們反思大肆開采礦石制造廉價工業(yè)品是否值得。

I pay great attention to the interactivity of my work, so I always think about the wearing process and the wearer's behaviour in the design. In the work "Fantasy of the toy plane", I reproduced the imagination of the toy plane with a simple-mechanical structure. When the jewellery is worn, the wearer can interact with my work like a child playing with a toy. In the process, the toy plane will be given a new life. The movement of the toy plane will follow the wearer's body.

In the project “remodel the mineral”, I created from my personal interest in minerals. I use the industrial products that are available in our life to recreate the minerals. This makes people reflect on whether it is worthwhile to mine minerals to make too many industrial products. Relying on my knowledge of minerals and crystals, I can remodel their form well with other materials.