我一直以來對繪畫都有極大的興趣，所以我一直希望去嘗試不同的繪畫媒介來創(chuàng)作一些不一樣的作品，或者把它們結(jié)合在一起從而孕育出一些獨(dú)特的東西。聲音、觸感、味覺等等，我嘗試通過不同的繪畫方式不同的繪畫材料去表現(xiàn)它們，換一種或者多種角度觀察和認(rèn)識這個(gè)世界。

我認(rèn)為繪畫的對象或者繪畫作品可以是模糊或抽象的，某種程度也可以啟發(fā)觀賞者去挑戰(zhàn)作品的認(rèn)知。作品《想象力》我在流體畫的基礎(chǔ)上對其進(jìn)行二次創(chuàng)作，通過對流體畫不規(guī)則的圖形進(jìn)行人為想象用插畫讓其變得稍微具象，但是又能讓觀看者主觀不一定認(rèn)同，對其會有別樣的想法想象。

想象力、可能性、不可控性，它們都是無窮的必然的存在于這個(gè)世界上，通過對它們的隨機(jī)混合最后所得到的結(jié)果一定會讓你對這個(gè)世界有新的看法。

I have always been interested in painting and drawing, so I want to experiment with different mediums to create something new; or to be innovative. Sound, touch, taste and other feelings can join the visual to be a new method to create art and expanded the understanding of a wilder world.

The objects or paintings can be ambiguous or abstract, so，they can inspire the viewer and challenge them to read the work with their own understanding.

In the series “It's Easy to Draw Ghosts”, I experimented with monoprints to make a set of illustrations. The “Psycho Killer”, I created a set of album covers combining the drawing styles of both American and Japanese comics. In the current work --“Imagination”, I created original fluid paintings, based on the irregular and random shapes from fluid painting to combine the artificial drawing process which builds a bridge between abstract and figurative. At the same time, it challenges the viewer to think about which will be the best way to make art.

Imagination, possibility, and uncontrollability are all infinitely and inevitable in the world. By playing them randomly the result will certainly give you a new perspective on the world.