我對(duì)金屬材料著迷，享受與金屬打磨的過程，并樂于探索金屬的各種可能性。生活總是給予我無盡的靈感，《癮》系列正是源自我對(duì)人們?nèi)粘Ｊ褂秒娮赢a(chǎn)品習(xí)慣的觀察。我將莫爾紋等視錯(cuò)覺元素融入我的作品中，并結(jié)合人們使用電子設(shè)備的動(dòng)作習(xí)慣。隨著拇指滑動(dòng)，戒指晃動(dòng)所產(chǎn)生的視覺不適感讓佩戴者在這一過程中反思對(duì)手機(jī)的過度依賴。

《媒介》是我在疫情隔離期間創(chuàng)作的系列作品，窗戶成為我與外界溝通的唯一通道，窗外的風(fēng)景喚起了疫情之前的生活點(diǎn)滴。作品中變形的建筑結(jié)構(gòu)層疊之下露出彩色的天空，表現(xiàn)了行為受限的我對(duì)外界和自由生活的渴望。

I am obsessed with metal materials and enjoy the process of working with metal to explore its possibilities. Life has always provided me with many inspirations, and the Addiction series was born from my observation of people’s daily use of electronic devices. I incorporate optical illusions, such as moiré patterns, into my work. The ring may cause visual discomfort when it shakes while the wearer swiping the screen with their thumb. This piece of jewellery prompts the wearer to contemplate their dependence on mobile phones.

Media is a series of brooches that were created during quarantine. The window became my only channel to the outside world, and the view beyond it evoked memories of life before Covid-19. In my work, the distorted architectural structure obscures the colourful sky, expressing my sense of confinement and yearning for freedom.